Thursday, 27 June 2013

Conventions of a music promo

Conventions of a music promo

Camera work
- Close ups = instruments, performers – privileged access, musicianship   
- Mid shots = instruments and performers
- Movement – creates interest
- Audience reaction
- 1st person point of view – viewer is audience
- Crane shots
- Tilts
- Performing to the camera
Editing / editing effects (For example One direction's song kiss you)




- Cut to the beat
- Genre of music will dictate editing pace
- Sfx, visual effects common 
- Green screen
- Jump cuts
- Different transitions
Mise – en – scene (for example you me at six's song bite my tongue)

- Instruments = credible performers, realism
- Location = link to lyrics/ genre – often urban/ derelict
- Cast – not just band
- Representation? Stereotypes?
- Costumes – links to genre
- High key lighting
Narrative / performance (for example fall out boy's song light em up) 


- Links to lyrics
- Bands
- 'Live'
- Intertextuality
- Repeatability     
- Don’t use ‘traditional’ narrative – not necessarily a start, middle and end
Concepts of music in promos – similar in adverts?
Illustration - the promo is basically illustrates the ideas/narrative in the song lyrics.
Oasis -  cigrettes and alcohol:



Amplification – the promo uses a key idea/image from the lyrics and develops it.
Coldplay - the scientist:



Disjuncture – the promo bears no resemblance to the lyrics or it meaning; often seen as unconventional/ ‘arty’ videos. (Radiohead - just)




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